3 min read
There are books we love, books we admire, books we force ourselves through. And then there are books that do something else entirely—they rearrange us. They disturb our sense of who we are, how we see the world, what we believe to be true. These books don’t just sit on our shelves; they stay inside us, altering our internal architecture in ways we may not even notice at first.
But here’s the real question: Would you let a book change you? Not just impress you, or move you, or give you something clever to say at dinner parties—but fundamentally shift the way you exist?
Most of us can name a handful of books that have shaped us in some way. Maybe we read The Bell Jar as a teenager and, for the first time, saw a reflection of our own contradictions—the quiet rage, the loneliness, the unbearable weight of expectations. Or we encountered The Myth of Sisyphus at the exact moment when life felt absurd, and instead of despair, we found something like defiant joy in Camus’ idea of the “happy” Sisyphus.
Some books make us see the world differently. Others make us see ourselves differently, which is much harder to shake off. Simone de Beauvoir’s The Second Sex doesn’t just describe women’s oppression—it forces the reader to examine their own complicity in it. Mishima’s Confessions of a Mask doesn’t just portray hidden desires—it confronts the reader with their own facades. These books don’t let you stay neutral.
And that’s where the discomfort sets in.
People love the idea of transformation. We talk about growth, evolution, "becoming our best selves." But in reality, real change is unsettling. It’s much easier to think of books as entertainment or intellectual exercises rather than catalysts for personal upheaval.
Sometimes we resist a book’s impact without realizing it. We read it, we admire it, but we keep it at arm’s length. We reduce it to "interesting ideas" instead of something that requires action. Orwell’s 1984 might make us more cynical about surveillance, but do we actually change our behaviors because of it? Baldwin’s The Fire Next Time might shake us, but do we allow it to shift our understanding of privilege, of history, of complicity?
It’s easier to intellectualize a book than to let it implicate us. Because once a book truly changes you, there’s no going back.
There’s a moment that happens sometimes when reading—a sense of recognition so sharp it feels almost invasive. A sentence or a passage makes you pause, because it is exposing something you hadn’t fully articulated about yourself. A hidden truth. A desire you’ve been ignoring. A fear you didn’t want to name.
These are the moments that linger. And they raise a choice: Do we look away? Or do we let the book complete its work?
Writers often say that books are meant to hold a mirror up to life. But we forget that mirrors aren’t always flattering. Some books show us exactly who we are, and we don’t always like what we see.
So, would you let a book change you? Not in the comfortable way, where you finish it and feel a little wiser, a little more cultured. But in the way that forces you to make different choices? To see people differently? To recognize a part of yourself you were pretending didn’t exist?
Books have that power, if we let them. The real question is: Do we want them to?
Some books you read. Some books read you. The ones that matter most do both.
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2 min read
Desire, power, and control — Yukio Mishima lived inside the obsessions that filled his novels. In Eikoh Hosoe’s Ordeal by Roses, Mishima becomes his own creation: bound, mythologized, consumed. But who, in the end, held the power?
3 min read
Simone de Beauvoir, Jack Kerouac, Yukio Mishima, and others didn’t just write—they redefined culture. Their ideas on feminism, rebellion, aesthetics, and the unconscious continue to shape literature, art, and contemporary thought.
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Literary history often favors the neatly canonized, but true innovation comes from those who disrupt and defy conventions. They are the writers who pushed boundaries—challenging norms, reshaping genres, and influencing generations while remaining on the fringes. From Pauline Réage’s subversive eroticism to Joris-Karl Huysman's restless decadent descriptions of the artifice, these rebels remind us that literature thrives on rebellion.
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